![]() It is also used in the HBO Max show Station Eleven. It is also performed by Clinton and P-Funk in the 1994 film PCU. "Give Up the Funk" also appears in the salon renovation scene of the 2005 film Beauty Shop, the 1998 film Slums of Beverly Hills, the 2008 film Cloverfield and in the 2011 film Moneyball. In the 2006 film Click, Adam Sandler's character sings the song while dancing. "Give Up the Funk (Tear the Roof off the Sucker)" has been heard in a number of movies, including the opening and closing scenes of the 2002 film Undercover Brother, in which the '70s-inspired protagonist, played by Eddie Griffin, drives around in a classic Cadillac. Unsourced material may be challenged and removed. Please reorganize this content to explain the subject's impact on popular culture, providing citations to reliable, secondary sources, rather than simply listing appearances. This article appears to contain trivial, minor, or unrelated references to popular culture. "Give Up the Funk (Tear the Roof off the Sucker)" was the highest-charting single from the album, reaching number five on the Billboard Hot Soul Singles chart and number fifteen on the Billboard Hot 100 pop singles chart. (Guitar, synthesizer pad, and brass are heard subtly.) Many different vocal ensembles are found, most occurring in groups. An "alternative" timbre (found in themes C and E) uses a mannered exaggerated enunciation, with very clear pitches.Īs with many of Parliament's songs, a full ensemble sound is obtained using few players the song relies mainly on bass guitar, one synthesizer, and a drum kit. The "norm" (used in themes A, B and D) is a throaty, loud timbre with casual enunciation and somewhat microtonal/bent pitches. Two main contrasting vocal timbres are heard in this song. Likewise, the drums interact with the pitched lines. The bass frequently responds to vocal gestures, and the bass and synthesizer frequently interact. A fadeout during this recapitulation ends the song with the B-Theme.Īside from the song's form, another jazz-like element is the degree of interactivity among the musicians. With this development section complete, the three main themes are recapitulated (beginning at 5:18). The C-Theme elaboration lasts only 8 bars, and is interpolated with the A-Theme (for 2 bars). The three main themes are rarely layered on top of each other. During this elaboration, two new ideas are combined with the B-Theme (subthemes D and E):Į – "Let us in we'll turn this mother out" The A-Theme elaboration takes only 16 bars, after which the B-Theme is elaborated upon for 56 bars. With this exposition complete, Parliament explores each theme with greater interpretive freedom (beginning at 2:18). ![]() The three themes are stated briefly twice (8 bars each section), followed by a short (4-bar) break ("D"). Three themes are stated at the beginning of the track:Ī – "You've got a real type of thing" (usually using a syncopated bass line)ī – "We want the funk" (a chorus of sorts the bass is usually a near-double of the vocals) The song is constructed using a jazz-influenced form. The single version begins without the "tear the roof off the sucker" intro. The bass vocal at the beginning of the song is performed by Ray Davis. It also became Parliament's first certified million-selling single, going Gold in 1976. ![]() With its anthemic sing-along chorus, it is one of the most famous P-Funk songs. It was the second single to be released from Parliament's 1975 album Mothership Connection (following " P. It was released as a single under the name "Tear the Roof off the Sucker (Give Up the Funk)". " Give Up the Funk (Tear the Roof off the Sucker)" is a funk song by Parliament. UK picture sleeve for the single "Give Up the Funk (Tear the Roof off the Sucker)"
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